Mourning Doves and Marriage
This morning when I went to the front porch with my cup of coffee I was surprised to see only one mourning dove! There are always two at the feeder in the mornings. Of course I immediately thought the worst. A cat had gotten the female or she'd met the bitter end, face to face with a car windshield.
The poor male sat on the tree limb, singing his mournful song, all alone.
And then it hit me. The female isn't gone. She's sitting on a nest somewhere. She's stuck with the eggs while he's at the bird feeder buffet, hanging with the starlings and the finches. All of my sympathy now transfers to the female who is probably hungry and wishes she could have a break. She's probably sitting in a tree somewhere, watching him hang with his friends and wondering if he'll get sunflower takeout and bring it back to her. He's probably clueless, of course and thinks she's happy to sit on the nest while he 'runs a fowl.' (haha).
Of course her life hasn't ended. She's just waiting for the eggs to hatch, for the babies to grow and take flight. Soon she'll be back at the feeder with her mate. The two of them will sit on the electric line again, singing their rather mournful but beautiful song. They'll watch their little mourning doves fly away to start their own families.
To all of the male mourning doves out there. Just remember that someone is sitting on the nest, making sure the kids hatch, sprout feathers, learn to fly, learn to find food. Take your turn on the nest. Telling her you appreciate all she does is wonderful, but more than that, she needs you there by her side, being a partner. She needs for you to understand that when she says, "No, go on ahead without me, I'm fine here on the nest." What she's really saying is, "I wish you would bring home a few fireflies for dinner and let me take a long soak in the bird bath."
A good marriage is all about communication. Communication includes honest conversation, listening, acknowledging your partner's feelings and action.
Brenda Minton
Author for Steeple Hill Love Inspired
Wednesday, April 25, 2012
Sunday, March 18, 2012
Daughter Chronicles: Lessons Learned
THE FASHION BATTLE
I have learned a very important lesson in dealing with the wardrobe of a teenage girl. First, let me just say that with boys (who will someday be husbands and therefore must learn), I simply tell them that what they have on doesn't work. They ask me what does work. I tell them and they change into something that is somewhat acceptable. Won't they be great husbands? You're welcome girls. The training is free.
Oh to have a girl who would do the same.
Unfortunately, they don't exist. The sooner we come to terms with that and learn to deal with it, the better. There are two common situations with girls. One is bad. One is frighteningly good.
Scenario ONE:
It's Sunday morning and you have thirty minutes to get everyone ready. Teen girl stomps out of bedroom breathing fire and spreading gloom. She's dressed in ripped jeans and a shirt that is holey not HOLY. Let's pictures something off the shoulder and more 'I'm twenty-five and going to a bar' rather than "I'm a young teen going to church."
Let me just clarify that I try to buy modest clothing for said teen but she insists on 'restyling' with scissors. And when that happens, I insist on not buying new clothing so she has to save money to buy her own.
Mom's first reaction is to scream and threaten. This is never a good way to start a Sunday morning.
You have 3 choices on how to deal with this:
A. SCREAM AND YELL
B. Tell her you'll pick her clothes and she'd better change right now.
C. Smile (probably not a real smile) and say: If that's really what you want to wear and if you don't mind what everyone thinks of you. I mean, yes, that's really disrespectful to the people in the church and to God. But okay, its your choice. We need to leave now.
At our house A and B result in major battles and with my blood pressure near the stroke level. Option C, I walk away with a smile and pretend I don't care. When I'm ready to leave for church, she has changed into something more respectful. If she doesn't, I've at least planted a seed and hopefully she feels really guilty the entire time we're at church. Either way, I win!
SCENARIO TWO
This scenario can be almost as troubling and frightening as scene one. Maybe more so, because it takes us by surprise and leaves us vulnerable and unsure.
Sunday morning and teen girl walks out of her room smiling. Yes, smiling. You immediately wonder what alien planet has invaded. The unknown and smiling species asks a reasonable question: "What's the weather going to be like today and should I wear jeans or capris?"
You choke a little and wonder what's really going on. You calmly say, "I would wear capris." IN THIS SITUATION NEVER EVER TELL HER WHAT SHE SHOULD WEAR!
Teen returns a short time later in capris, a reasonable shirt and her hair brushed. Something is up but you don't know what. You aren't even sure how to react.
Now you have to make a critical choice. Your entire day is at stake so choose wisely.
You:
A. Tell her she looks nice.
B. Question who she is and ask her what she's done with your real teenage daughter.
C. Head for the car as quickly as possible and once you are safely on the road, tell her she looks nice.
The answer is obviously C.
If you make the mistake of telling her she looks nice while you are still at home, she will immediately run back into her room and come out wearing something that starts a whole new argument and makes you thirty minutes late for church.
Accept the small blessings and enjoy what might be a peaceful Sunday. Even if she is an alien, you know they'll bring the real teenager back as soon as they try to dress her for church.
I have learned a very important lesson in dealing with the wardrobe of a teenage girl. First, let me just say that with boys (who will someday be husbands and therefore must learn), I simply tell them that what they have on doesn't work. They ask me what does work. I tell them and they change into something that is somewhat acceptable. Won't they be great husbands? You're welcome girls. The training is free.
Oh to have a girl who would do the same.
Unfortunately, they don't exist. The sooner we come to terms with that and learn to deal with it, the better. There are two common situations with girls. One is bad. One is frighteningly good.
Scenario ONE:
It's Sunday morning and you have thirty minutes to get everyone ready. Teen girl stomps out of bedroom breathing fire and spreading gloom. She's dressed in ripped jeans and a shirt that is holey not HOLY. Let's pictures something off the shoulder and more 'I'm twenty-five and going to a bar' rather than "I'm a young teen going to church."
Let me just clarify that I try to buy modest clothing for said teen but she insists on 'restyling' with scissors. And when that happens, I insist on not buying new clothing so she has to save money to buy her own.
Mom's first reaction is to scream and threaten. This is never a good way to start a Sunday morning.
You have 3 choices on how to deal with this:
A. SCREAM AND YELL
B. Tell her you'll pick her clothes and she'd better change right now.
C. Smile (probably not a real smile) and say: If that's really what you want to wear and if you don't mind what everyone thinks of you. I mean, yes, that's really disrespectful to the people in the church and to God. But okay, its your choice. We need to leave now.
At our house A and B result in major battles and with my blood pressure near the stroke level. Option C, I walk away with a smile and pretend I don't care. When I'm ready to leave for church, she has changed into something more respectful. If she doesn't, I've at least planted a seed and hopefully she feels really guilty the entire time we're at church. Either way, I win!
SCENARIO TWO
This scenario can be almost as troubling and frightening as scene one. Maybe more so, because it takes us by surprise and leaves us vulnerable and unsure.
Sunday morning and teen girl walks out of her room smiling. Yes, smiling. You immediately wonder what alien planet has invaded. The unknown and smiling species asks a reasonable question: "What's the weather going to be like today and should I wear jeans or capris?"
You choke a little and wonder what's really going on. You calmly say, "I would wear capris." IN THIS SITUATION NEVER EVER TELL HER WHAT SHE SHOULD WEAR!
Teen returns a short time later in capris, a reasonable shirt and her hair brushed. Something is up but you don't know what. You aren't even sure how to react.
Now you have to make a critical choice. Your entire day is at stake so choose wisely.
You:
A. Tell her she looks nice.
B. Question who she is and ask her what she's done with your real teenage daughter.
C. Head for the car as quickly as possible and once you are safely on the road, tell her she looks nice.
The answer is obviously C.
If you make the mistake of telling her she looks nice while you are still at home, she will immediately run back into her room and come out wearing something that starts a whole new argument and makes you thirty minutes late for church.
Accept the small blessings and enjoy what might be a peaceful Sunday. Even if she is an alien, you know they'll bring the real teenager back as soon as they try to dress her for church.
Saturday, March 10, 2012
Writer's Block
Overcoming Writer's Block.
I'm always a little nervous when it comes time to talk writing. For me it's like giving marital or spiritual advice. Who am I to even think that I can give advice when I'm still trying to figure it all out? With each and every book I learn something, struggle with something, finally get it, and sometimes forget it before I start the next project. I will always be learning.
I've been married twenty-six years this year. I'm just now starting to think maybe I've got marriage figured out to the point that I can give someone advice. I definitely wouldn't have given advice the first few years. Or the first ten. And I still think I have a lot to learn.
With writing, as with marriage, we encounter problems or obstacles. With experience we learn how to overcome or get past those problems.
Today's writer's block problem:
I TOOK THE WRONG PATH.
Imagine yourself hiking along, enjoying the scenery, watching birds, and breathing in the fresh air of the forest. Suddenly the previously wide trail narrows. The birds stop singing. The forest grows dark. Ahead of you there are three paths to choose from. One seems like the obvious choice. You decide to meander down that path. As you walk you realize your mistake. No matter how hard you try to convince yourself this is the right path, it just isn't working.
What do you do?
Stay on that path, even if it feels wrong, and hope it comes out right in the end?
Take off through the brush and hope for the best? Swing your warms at spider's webs, avoid skunks and reptiles. Struggle against vines that snare and hold you back.
Go back to the path you were on and make a better choice for moving forward. Sometimes that means trying several paths until you get the right one.
Yes, I'm digging the analogies today.
Now, back to the real problem, writer's block brought on by taking the wrong path, the wrong scene, the wrong plot turn.
I've been dealing with this problem, fighting it, struggling against it. I had my story down. I knew my characters (for the most part, but that's a different blog post). Suddenly I found myself struggling, unable to get the scene the way I wanted. I couldn't figure out where to go next with the characters. I kept digging in, moving forward and hoping it would all work out. I just knew I'd eventually break free.
My very smart editor once told me to trust my instincts. And I constantly remind myself of her advice. Trust my instincts. I think if we're going the wrong direction, we usually know it. Sometimes we think we'll eventually find the right direction if we keep going the wrong direction. Or we want to wait a little while before we turn around because we might find the right way, maybe its just around the next bend. But the wrong path is the wrong path.
Accept it: If the scenes aren't working, if they aren't allowing you to move forward with strength and conviction, DELETE. Don't get stuck fighting what doesn't work. That's a sure ingredient for writer's block.
The wrong path shifts everything in the story. It changes voice, it changes the plot, the characters and it drags the story down.
When I hit 'wrong path writer's block' I have one option: I go back to the main path of my story, to the last scenes that worked. From there I find a starting point that I know matters to the story and to my characters and that's the path I take. I have to find the scene that gets the characters back in the story. A scene that matters to the plot.
With the story that I'm working on, it took me a few tries to get it right. I started scenes, deleted scenes, started new ones. Finally I hit on the right scene for my characters, my plot and my story. The words started to flow.
There are times we have to just move forward, to keep writing because we need to get those words down and that's okay. But learn to recognize when writer's block is happening because you're on the wrong path or chasing the wrong thread. If your story has meandered off the beaten path it's up to you, the author, to get it back on track.
I'm always a little nervous when it comes time to talk writing. For me it's like giving marital or spiritual advice. Who am I to even think that I can give advice when I'm still trying to figure it all out? With each and every book I learn something, struggle with something, finally get it, and sometimes forget it before I start the next project. I will always be learning.
I've been married twenty-six years this year. I'm just now starting to think maybe I've got marriage figured out to the point that I can give someone advice. I definitely wouldn't have given advice the first few years. Or the first ten. And I still think I have a lot to learn.
With writing, as with marriage, we encounter problems or obstacles. With experience we learn how to overcome or get past those problems.
Today's writer's block problem:
I TOOK THE WRONG PATH.
Imagine yourself hiking along, enjoying the scenery, watching birds, and breathing in the fresh air of the forest. Suddenly the previously wide trail narrows. The birds stop singing. The forest grows dark. Ahead of you there are three paths to choose from. One seems like the obvious choice. You decide to meander down that path. As you walk you realize your mistake. No matter how hard you try to convince yourself this is the right path, it just isn't working.
What do you do?
Stay on that path, even if it feels wrong, and hope it comes out right in the end?
Take off through the brush and hope for the best? Swing your warms at spider's webs, avoid skunks and reptiles. Struggle against vines that snare and hold you back.
Go back to the path you were on and make a better choice for moving forward. Sometimes that means trying several paths until you get the right one.
Yes, I'm digging the analogies today.
Now, back to the real problem, writer's block brought on by taking the wrong path, the wrong scene, the wrong plot turn.
I've been dealing with this problem, fighting it, struggling against it. I had my story down. I knew my characters (for the most part, but that's a different blog post). Suddenly I found myself struggling, unable to get the scene the way I wanted. I couldn't figure out where to go next with the characters. I kept digging in, moving forward and hoping it would all work out. I just knew I'd eventually break free.
My very smart editor once told me to trust my instincts. And I constantly remind myself of her advice. Trust my instincts. I think if we're going the wrong direction, we usually know it. Sometimes we think we'll eventually find the right direction if we keep going the wrong direction. Or we want to wait a little while before we turn around because we might find the right way, maybe its just around the next bend. But the wrong path is the wrong path.
Accept it: If the scenes aren't working, if they aren't allowing you to move forward with strength and conviction, DELETE. Don't get stuck fighting what doesn't work. That's a sure ingredient for writer's block.
The wrong path shifts everything in the story. It changes voice, it changes the plot, the characters and it drags the story down.
When I hit 'wrong path writer's block' I have one option: I go back to the main path of my story, to the last scenes that worked. From there I find a starting point that I know matters to the story and to my characters and that's the path I take. I have to find the scene that gets the characters back in the story. A scene that matters to the plot.
With the story that I'm working on, it took me a few tries to get it right. I started scenes, deleted scenes, started new ones. Finally I hit on the right scene for my characters, my plot and my story. The words started to flow.
There are times we have to just move forward, to keep writing because we need to get those words down and that's okay. But learn to recognize when writer's block is happening because you're on the wrong path or chasing the wrong thread. If your story has meandered off the beaten path it's up to you, the author, to get it back on track.
Tuesday, March 6, 2012
DRIVING MS CRAZY
Driving Ms Crazy
It is a right of passage for children everywhere. Turn sixteen, get a driver's license. I remember getting my license. Barely. But being raised on a farm, it feels as if I've been driving forever. In my early teens I was helping my dad in the hay field--driving a truck and trailer. I could back a boat into the lake at an young age. I grew up driving.
I've somehow blocked from mind the times I sat in the truck and cried because my dad was yelling to ease off the clutch, ease off the clutch, and I didn't and the truck kept dying.
Now I have to let my children take this 'right of passage.' It isn't easy and for some reason, my kids don't like to drive with me in the passenger seat.
As my middle kid gets ready to take his driving test, I'd like to give you a little taste of what he gets in a five minute drive with Ms. Crazy. (me)
"Pull up, look both ways. Wait, there's a car coming. Don't pull out. Pull out. Hit the gas and go, don't dawdle. Slow down."
We ease on down the road. "Stay in the middle of the road. Stop swerving. You really have to control the wheel. I don't care what the speed limit is, you're not ready for it. Always watch for other cars. It's the other drivers that will kill you. See that big drop off next to the road. Stay between the lines or you'll end up down there."
Deep breath. Kid is turning a little green and shaking. I think I've done my job and scared him into being a safe driver.
Next intersection. "Look both ways. What are you doing? What, you're looking both ways. You need to pull up and be ready to go. What are you doing easing out like that. Hit the gas, go..."
Kid is thinking that he might need tranquilizers for himself or for me.
Pull into driveway. "That's a car. Don't hit that car. Always turn into your lane, don't ease into the other lane. You're going to hit a car. You're going to crash. What, you're going to park? With me in the car. I can't take this. I don't think you're ready."
He gets out of the car and walks away. I collapse.
Another day of Driving Ms Crazy.
It is a right of passage for children everywhere. Turn sixteen, get a driver's license. I remember getting my license. Barely. But being raised on a farm, it feels as if I've been driving forever. In my early teens I was helping my dad in the hay field--driving a truck and trailer. I could back a boat into the lake at an young age. I grew up driving.
I've somehow blocked from mind the times I sat in the truck and cried because my dad was yelling to ease off the clutch, ease off the clutch, and I didn't and the truck kept dying.
Now I have to let my children take this 'right of passage.' It isn't easy and for some reason, my kids don't like to drive with me in the passenger seat.
As my middle kid gets ready to take his driving test, I'd like to give you a little taste of what he gets in a five minute drive with Ms. Crazy. (me)
"Pull up, look both ways. Wait, there's a car coming. Don't pull out. Pull out. Hit the gas and go, don't dawdle. Slow down."
We ease on down the road. "Stay in the middle of the road. Stop swerving. You really have to control the wheel. I don't care what the speed limit is, you're not ready for it. Always watch for other cars. It's the other drivers that will kill you. See that big drop off next to the road. Stay between the lines or you'll end up down there."
Deep breath. Kid is turning a little green and shaking. I think I've done my job and scared him into being a safe driver.
Next intersection. "Look both ways. What are you doing? What, you're looking both ways. You need to pull up and be ready to go. What are you doing easing out like that. Hit the gas, go..."
Kid is thinking that he might need tranquilizers for himself or for me.
Pull into driveway. "That's a car. Don't hit that car. Always turn into your lane, don't ease into the other lane. You're going to hit a car. You're going to crash. What, you're going to park? With me in the car. I can't take this. I don't think you're ready."
He gets out of the car and walks away. I collapse.
Another day of Driving Ms Crazy.
Friday, February 24, 2012
The Daughter Chronicles
Once upon a time I thought girls were pretty little beings with pigtails and pink dresses. Sugar and spice, and everything nice. WRONG! After I had one, I learned the truth. They cry when you brush their hair, they never like the clothes you buy them, and there is never anything good to eat.
Story one in the 'daughter chronicles.' This morning I made French toast. I was sitting with my computer in my lap, coffee at my side and the daughter stated, "There's nothing to eat!"
Mom mode kicked in. "Do you want me to make French toast?" Did I really just say that? Yes, I did. I actually offered.
French toast? She made that face, the one that should have warned me. But then she seemed compliant, so I jumped up to do my mom duty thinking that I'd just scored sunshine points from kid 3. There should have been a disclaimer of some kind attached to her forehead: "Could spontaneously combust." All girls should come with that warning. No, instead there was a smile and something resemblings sweetness. (this is the look that gives me hope for the future)
The problem is that my idea of 'fixing French toast' is ordering it at a restaurant. This project meant googling a recipe, hauling out the eggs and milk, soaking the bread and firing up the stove. Really? This early in the morning? (Cooking before noon??)
Batch 1 went terribly wrong. I soaked the bread too long and put it in a skillet with too much oil. THe daughter's reaction to this oozing mess: I'm not eating that. I kind of agreed and we scraped the gooey bread into the trash.
I'm still in sunshine land so I say, "I'll try again if you want."
She agreed. I went back to work on a second batch. This time it turned out much better. I put the lovely, golden brown French toast on the plate. Kid 3 melted into the stormy cloud of blech and said, "I'm not going to eat that. It's gross."
The moral of the story: Girls can be sweet. They can also be icky. Don't get too bent out of shape if you have one and you can't make her happy. Happiness makes them angry. They come with a self-destruct button that is immediately pushed if they sense their own happiness or the happiness of anyone else.
The good news, I've heard that they grow out of this stage and return to normal human beings by the time they're thirty.
Story one in the 'daughter chronicles.' This morning I made French toast. I was sitting with my computer in my lap, coffee at my side and the daughter stated, "There's nothing to eat!"
Mom mode kicked in. "Do you want me to make French toast?" Did I really just say that? Yes, I did. I actually offered.
French toast? She made that face, the one that should have warned me. But then she seemed compliant, so I jumped up to do my mom duty thinking that I'd just scored sunshine points from kid 3. There should have been a disclaimer of some kind attached to her forehead: "Could spontaneously combust." All girls should come with that warning. No, instead there was a smile and something resemblings sweetness. (this is the look that gives me hope for the future)
The problem is that my idea of 'fixing French toast' is ordering it at a restaurant. This project meant googling a recipe, hauling out the eggs and milk, soaking the bread and firing up the stove. Really? This early in the morning? (Cooking before noon??)
Batch 1 went terribly wrong. I soaked the bread too long and put it in a skillet with too much oil. THe daughter's reaction to this oozing mess: I'm not eating that. I kind of agreed and we scraped the gooey bread into the trash.
I'm still in sunshine land so I say, "I'll try again if you want."
She agreed. I went back to work on a second batch. This time it turned out much better. I put the lovely, golden brown French toast on the plate. Kid 3 melted into the stormy cloud of blech and said, "I'm not going to eat that. It's gross."
The moral of the story: Girls can be sweet. They can also be icky. Don't get too bent out of shape if you have one and you can't make her happy. Happiness makes them angry. They come with a self-destruct button that is immediately pushed if they sense their own happiness or the happiness of anyone else.
The good news, I've heard that they grow out of this stage and return to normal human beings by the time they're thirty.
Monday, February 20, 2012
DO NOT DISTURB
I need a sign to hang around my neck. "DO NOT DISTURB."
There are a few people in my world who don't understand these words: Deadline. Working. Later. Can you do it yourself?
The two-year-old great niece has a list of demands and if she doesn't get them, the chihuahua is a gonner. She wants water, no milk, no water..she grins as she plays this game. She would like to clean the floor, it's really a mess. (she might have a point) As I type this, she's flat on the floor, whining that she needs to sweep. I know how to deal with her. I'll turn off Tangled. That's like waterboarding a 2 year old. Or I'll turn it on! That's like waterboarding the rest of the family.
It isn't just the two year old. The dogs need out. They need in. They need water in their bowl. And they ALL need to cuddle in the chair with me and my laptop.
The rest of the family has a list of wants and needs that range from 'why isn't there anything to eat' to 'why isn't there anything to eat.' Their list goes something like this: I'm bored. I don't have anything to wear. What's for dinner. Can we go out to eat. (Oh, that one is mine)
Writing is not an easy job. It really does take time, focus, and more time. There are days that I can't figure out where the characters are going. At times the plot just isn't working or the next sentence is like pulling teeth. Of course there are days that the words flow from my imagination to the computer with little effort. But those days are rare. Writing is a job. A real job.
True, my office attire is whatever I woke up in. My desk is the recliner. But I really do work, no matter what my kids tell you. They think I drink coffee and play mahjong for a living. I promise, if I could get paid for those two things, I would apply for that job.
Do not disturb. But then again, please do. I love my life and I love that I work at home where my kids can tell me about their day, know that I'm here for them if they need something, the great niece can come to stay for weeks, the dogs can cuddle in my lap. I've learned to write a book with a chihuahua between me and the computer and a two-year-old next to me, drinking my coffee.
The question today is balance. Whether you work for home or not, how do we balance all that we have to do and keep our family a priority?
For me, the most important thing is recognizing what can wait until later and what needs attention now. And of course, a good dose of procrastination thrown in, along with a game or two of mahjong.
There are a few people in my world who don't understand these words: Deadline. Working. Later. Can you do it yourself?
The two-year-old great niece has a list of demands and if she doesn't get them, the chihuahua is a gonner. She wants water, no milk, no water..she grins as she plays this game. She would like to clean the floor, it's really a mess. (she might have a point) As I type this, she's flat on the floor, whining that she needs to sweep. I know how to deal with her. I'll turn off Tangled. That's like waterboarding a 2 year old. Or I'll turn it on! That's like waterboarding the rest of the family.
It isn't just the two year old. The dogs need out. They need in. They need water in their bowl. And they ALL need to cuddle in the chair with me and my laptop.
The rest of the family has a list of wants and needs that range from 'why isn't there anything to eat' to 'why isn't there anything to eat.' Their list goes something like this: I'm bored. I don't have anything to wear. What's for dinner. Can we go out to eat. (Oh, that one is mine)
Writing is not an easy job. It really does take time, focus, and more time. There are days that I can't figure out where the characters are going. At times the plot just isn't working or the next sentence is like pulling teeth. Of course there are days that the words flow from my imagination to the computer with little effort. But those days are rare. Writing is a job. A real job.
True, my office attire is whatever I woke up in. My desk is the recliner. But I really do work, no matter what my kids tell you. They think I drink coffee and play mahjong for a living. I promise, if I could get paid for those two things, I would apply for that job.
Do not disturb. But then again, please do. I love my life and I love that I work at home where my kids can tell me about their day, know that I'm here for them if they need something, the great niece can come to stay for weeks, the dogs can cuddle in my lap. I've learned to write a book with a chihuahua between me and the computer and a two-year-old next to me, drinking my coffee.
The question today is balance. Whether you work for home or not, how do we balance all that we have to do and keep our family a priority?
For me, the most important thing is recognizing what can wait until later and what needs attention now. And of course, a good dose of procrastination thrown in, along with a game or two of mahjong.
Thursday, April 28, 2011
Peaceful Country Living
I'm almost finished with my first cup of coffee, but I'm thinking this could be a five cup day. And after I'm done drinking coffee I'm hunting down that police officer who doesn't understand proper night time siren use.
Once upon a time the country was quiet. Tree frogs, crickets, the occasional coyote howling. At 4:30 am you might hear a neighbor's rooster crow.
At 4:30 am this morning I was sound asleep (Which doesn't happen that often), dreaming a nice dream. Suddenly a firetruck showed up in my dream. What? Why is there a firetruck here in my dream? I tried to dream it away but it remained, blowing its horn, sounding its siren in short bursts.
What? Siren?
TORNADO!! I jumped out of bed, thinking the first responders were using that annoying fire truck foghorn, blasting their siren, trying to warn us, wake us up. Common Sense says a siren and horn at that time of night are a good sign that we're being warned to head for an interior room.
My husband and I jumped from our bed to see what was the matter. I threw open the door and stepped out on the porch. What to my wondering eyes did I see, but a cop with a spotlight, parked in the road. I yelled (not really) a bad name and shivered in my robe. I flashed my porch lights as if to say, "Stop that you dummy, we're awake, we're awake."
The police car flipped his siren again and hit that annoying horn. He flashed his spotlight upon the dark field. I flipped our porch light, thinking he understood, "we're awake, we're coming, stop it right now." The siren he did sound. The horn he did blare. He ignored my distress signal. My children he did wake. (I have a lot of respect for police officers, but seriously...all of this over a horse.)
My husband jumped in the truck, thinking the officer must need our help. I yelled, "he's an idiot, tell him to turn that thing off." (Is this a christmas story or Dr. Seuss. I've lost track) The kids were not sleeping, dreaming of sugar plums. THe dogs were all barking, wanting to go out. The neighbors were up. Their lights came on.
The nice police officer continued his sounds.
My husband rushed to his side, asked "what could be the matter." The officer shined his light and said, "Hey, someone has a horse out."
REALLY? REALLY? He couldn't back up fifty feet, turn in a driveway, knock on a door and say, "Do you have a horse. It's out."
My husband explained. "It isn't our horse. It doesn't belong to any of our neighbors."
The officer got another call, used my husband's phone, turned on his siren, and tore into the night. THe horse ran away, afraid of the siren. We all went back to bed until someone knocked on the door...Do you know you have a horse out?
Once upon a time the country was quiet. Tree frogs, crickets, the occasional coyote howling. At 4:30 am you might hear a neighbor's rooster crow.
At 4:30 am this morning I was sound asleep (Which doesn't happen that often), dreaming a nice dream. Suddenly a firetruck showed up in my dream. What? Why is there a firetruck here in my dream? I tried to dream it away but it remained, blowing its horn, sounding its siren in short bursts.
What? Siren?
TORNADO!! I jumped out of bed, thinking the first responders were using that annoying fire truck foghorn, blasting their siren, trying to warn us, wake us up. Common Sense says a siren and horn at that time of night are a good sign that we're being warned to head for an interior room.
My husband and I jumped from our bed to see what was the matter. I threw open the door and stepped out on the porch. What to my wondering eyes did I see, but a cop with a spotlight, parked in the road. I yelled (not really) a bad name and shivered in my robe. I flashed my porch lights as if to say, "Stop that you dummy, we're awake, we're awake."
The police car flipped his siren again and hit that annoying horn. He flashed his spotlight upon the dark field. I flipped our porch light, thinking he understood, "we're awake, we're coming, stop it right now." The siren he did sound. The horn he did blare. He ignored my distress signal. My children he did wake. (I have a lot of respect for police officers, but seriously...all of this over a horse.)
My husband jumped in the truck, thinking the officer must need our help. I yelled, "he's an idiot, tell him to turn that thing off." (Is this a christmas story or Dr. Seuss. I've lost track) The kids were not sleeping, dreaming of sugar plums. THe dogs were all barking, wanting to go out. The neighbors were up. Their lights came on.
The nice police officer continued his sounds.
My husband rushed to his side, asked "what could be the matter." The officer shined his light and said, "Hey, someone has a horse out."
REALLY? REALLY? He couldn't back up fifty feet, turn in a driveway, knock on a door and say, "Do you have a horse. It's out."
My husband explained. "It isn't our horse. It doesn't belong to any of our neighbors."
The officer got another call, used my husband's phone, turned on his siren, and tore into the night. THe horse ran away, afraid of the siren. We all went back to bed until someone knocked on the door...Do you know you have a horse out?
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